Acerca de la India como una cultura inmoral. Por un lado, ellos siguen girando hacia la misma clase de indias periodistas, activistas e intelectuales para 'conocimiento local'. Sin embargo, estos informantes nativos simplemente hablan la charla del Oeste al Oeste". El ex subsecretario de Estado William J. El nombramiento en enero de del ex embajador de la India a los EE.
La guerra de entre Rusia y Georgia y la crisis europea de la deuda soberana de , tras la crisis de EE. Francia y Alemania son los principales impulsores del proyecto europeo. Las restricciones impuestas por el Tratado de sobre el establecimiento final con respecto a Alemania efectivamente subordina a Alemania a las cuatro potencias EE. Vivimos en un mundo cambiante donde los retos son infinitos. Siete rondas de negociaciones se ha completado sin llegar a una Acuerdo de libre comercio.
Tiene que haber un dar y recibir, I myself had an independent company that responded to this precisely. In Teatre de la Claca we were a collective. It is now impossible to achieve work in this way. Most of the young people are with their problems and because of economic difficulties, even legal difficulties, they can not consider creating a group.
At this time it is impossible to do this. Instead, it turns out that in Cuba it can be done.
This institution seems to me a wonderful example that one can still aspire to the dream of having an institution where the museum, historical, creative and professional aspect is integrated into a single company, that there may be a public, familiar in this case, that is acquiring a teatrical culture.
Of course, that is a dream that does not exist in other parts of the world, nobody can do it. I was recently in Korea and Estonia and globalization there makes everyone manage as best they can. As each has its own difficulties, people find themselves in small projects that last for a while and then disappear. And all the collective work and creating a culture of its own and working on an audience has gone down in history.
It seems to me a wonderful possibility this new reality that is El Arca. It is fortunate for those who can and will do it and for those who will benefit from it, who is the public. I would love to! I think we have a very good feeling. I always say that I am a Cuban who had never been to Cuba. From my childhood the presence of the Island in my house has been constant. My grandfather came to Cuba with his brother. Then he returned to Catalonia, but my great-uncle stayed and made family in Santiago de Cuba. Therefore, there has always been a very strong family relationship between Catalonia and the Island.
I remember that for Christmas or in the summer many relatives from Cuba went to the house. We were poorer and we came less. I've always felt like I'm a bit part of here. I have heard so many things and in my house on holidays, Cuban food was made. I remember with pleasure the Cuban rice that my grandmother used to make. I have always waited for the right time to come, because I have never wanted to do it as a tourist; I said, "Someday he'll be there" and it happened. Now I am in the Historic Center, in a puppet theater in front of the boardwalk, what more could I ask for!
I have waited 60 years to get to know this country and I am very happy about how the meeting has taken place. Of course, I hope it will not be the last. It really is a true World Heritage Site. This is huge. But I think it goes beyond the simple fact of being nice or not; It is life! It is a strong testimony of the human being, from the religious, the military, the historical There are places that constitute a World Heritage Site because of its unique construction or its beauty.
But the Havana Historic Center is because it reflects the life itself, in all its aspects. I was very impressed, I still can not react. Joan Baixas en Cuba: un mundo aparte. Yo provengo de una familia de artistas. Tuvo una escuela muy interesante, muy conocida en Barcelona. Curiosamente yo era el hermano menos dotado. Y aunque mi hermana es profesora de dibujo, de los cinco hermanos, el que se ha dedicado profesionalmente al arte soy yo. He llegado a ser transparente y eso es lo que me da la independencia, la libertad, la fuerza Entonces, yo participo un poco de los tres mundos, pero en realidad formo un mundo aparte.
A mi lo que me interesa es el contacto con las personas y con la vida.
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Lo paso muy bien, es muy divertido. Siempre conozco a mucha gente y me siento en paz. Es un poco ese juego de lo que nos une y nos separa como seres humanos. Estoy muy agradecido de la vida y espero poder tener fuerzas para seguir haciendo cosas. Prefiero estar cerca de la gente, de la realidad… y entender cada sitio como es. La gran apuesta es poder transmitir todas las experiencias que me da la vida. Y poder sacar algo bueno y hermoso del caos nos fortalece y aumenta la gran esperanza del ser humano. Entonces buscamos la manera de que yo viniera a Cuba.
Mi objetivo personal fue aprender. En todos los talleres que he impartido propongo un juego a los muchachos e intento que el ejercicio trascienda el grupo con el que estamos trabajando.
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Esa es mi idea sobre el arte. De esta manera puede producirse un interesante intercambio entre estudiantes cubanos y de otras partes del mundo y aprender unos de otros. Creo que hasta el final de nuestra vida debemos buscar constantemente nuevos conocimientos. Los talleres son ideas que estoy empezando a convertir en realidad.
Este es el cuarto curso que realizo. He hecho otros, pero no con esta idea del Mapamundi. Ahora es imposible lograr trabajar de esta forma. En estos momentos es imposible hacer esto. Me parece una posibilidad maravillosa esta nueva realidad que es El Arca. Creo que tenemos muy buen feeling.
Desde mi infancia la presencia de la Isla en mi casa ha sido constante. Mi abuelo vino a Cuba junto a su hermano. Recuerdo que para navidad o en verano iban a la casa muchos familiares cubanos. Realmente es un verdadero Patrimonio de la Humanidad. Esto es enorme. I also like very much writing, but mainly I write for the scene. All my life I did lots of writing for nothing. I want to write about my experience with the theatre and with the world. I started to opening boxes and I saw that I have something right about that in my diaries.
There is a lot: diaries with ideas, with drawings, with lots of things. The stories that people have told me all over the world, the stories of real people. I want to write this book this year. I hope to have the power of writing to translate these impressions. In our capitalistic world You have to be somebody at least for these minutes of fame that Warhol talked about.
You have to be a name and somebody. He did puppetry but really his a painter! You understand what I mean? I can do lots of things. I had a very funny situation with my last show about a girl who was a prostitute and killed her lover. I met her, she was some character! The show contained many images of her life and at the end I explained who she was. She killed and cut her lover with an electric knife — a horrible thing — it was a big impression for the audience when I told the story!
It was very tender by the character but at the same time a horrible story of blood and all that. When I started performing the show with the audience, the end of the show was an impressive image of somebody killing the other human-being with an electric knife. I noticed that I can do anything — it works! I used that name to go one step further from puppetry without losing puppetry.
The name of visual theatre was actually invented in Bauhaus. It was Schawinsky who named the visual theatre. Is it a ballet, or if we do cabaret? Oscar Schlemmer had very-very good humour, nowadays not many people remember that he was a very humoristic man, he did clowneries and carnevals and all that. Essential is the show to me. To make something spectacular, that gives an emotion to the audience.
Fragmentary, very poetic, around the things that happened. Though he had very strong stories behind it, the stories of his life, of his childhood. And of his country. Kantor defined very well the importance of the image on the stage. What is the culture of the image? Image that everybody understands. Avatar is an image that everybody, from children to adults, understands. Important is that the image on stage has time. If You see an image of painting, You can stay one minute in front of it and then You have a general impression of it; but on the stage You are there, sitting in front of the image so the image has to have the density to go inside, to grow and stay inside of the mind and the imagination of the people — we have to remember the images from the stage.
These are images that disappear. To break that, and to bring more audiences to the shows and to the festival, we called it visual theatre. You meet the same people at every puppet festival. With puppetry world I have a relationship that I go in and out. They are there — in this puppet-tube around the world. It has very positive senses and also some negative.
Still, why this have happened to puppetry? For example painters are also dealing mainly with their thing and communicating mainly with each other. Why is puppetry so exceptional ghetto?
This root is always alive and goes further to the very old times — to animism and all that. But puppetry is not just a ghetto of puppeteers. Yoda is one of the best puppets in cinema — how it moves and the character are fantastic — and nobody thinks that Yoda is a puppet. So, there is a lot of puppets out of the world of puppetry, which means that the ghetto is created by the puppeteers themselves. They are happy, good for their cultures and for their world, but at the same time they are closed.
When I was teaching at the theatre institute, the students were very surprised when I showed the films with puppets starting already from Murnau. The monster of Frankenstein is a puppet. God is an animation of the human being. If You believe in God then God is God, but if You are not a believer but just a philosopher, then God is a creature made by the imagination of human being and the human being represents this character, this puppet, this animation, and human being talks for him and invents the dialogs of God.
So puppetry is much more than the puppeteers talk about. Is this the thing that draws You to puppetry and gives You the energy to deal with it? Yes, for that puppetry interests me a lot. There are so many things that human being does not understand, about nature and himself, about the world — how does this machine work? We improvise the explanations. He says that human beings are the only animals that can kill one each other. Animals can dye by accident in fights but the purpose is not to kill each other. Human beings do not have that, if one human being have won the woman of another human being, he kills the other.
You can kill my son and we will be in peace. Christ is the sacrificial victim that God offers to himself. The sacrificial victim is the beginning of the culture, beginning of myths. Girard has written five or six books about that, analyzing this process on Greek and biblical mythology, and this sacrificial victim is finally a puppet. Nunca mandaba que otro me lo entregara.
Y se asocian para violarla. No puedo entender tanto formalismo y lentitud. Cuando se trata del caso Odebrecht, los colegas consideran a Gorriti toda una autoridad. Sus reportajes se publican en el sitio de periodismo investigativo IDL-Reporteros , financiado por una ong de defensa de los derechos humanos. Los fiscales son demasiado apegados a normas y secretos. Le dan con todo y no puede hacer nada. Tiene poder y es vengativo.